PARK STREET

Late into night images appear

on the ceiling as sharp angles or

momentary slivers of light.  Car beams,

neon flashes and street light reflections

crawl across the plaster, occasionally

colliding, forming several twisting random

kaleidoscopes.

 

The images are perishable opportunities

to witness a place in the past or a sign

for the future.

 

The designs are formed from either side,

vanishing without sound into the opposing

wall.  The metronome of pulsating light

becomes hypnotic, opening doors for dreams

and escape.

 

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